"One waited impatiently for each cue for Wendy Quinlan's flute, so vividly imaginative was (her) playing."

London Times

"…perfect technique, powerful tone and impressive stage presence…"

Basler Zeitung

"…heavenly beautiful flute playing…"

Readers Digest International

"The first flutist was exceptional"

The Australian – Gian Carlo Menotti after a performance of Daphnis and Chloe.

"…wide range of dynamics and full spectrum of colours…wide expressive qualities…sparkling assurance…"

Canberra Times

"Wendy Quinlan's flute playing was particularly striking."

The National Times – after a performance of Carmen.

"Here one meets an artist who is capable of everything on her instrument…big flexible sonorous tone…and who also possesses the necessary personality and intelligence…"

Die Nordschweiz

"Wendy's talent has so many facets that I can recommend her equally highly as an orchestral player, soloist or flute teacher."

Peter-Lukas Graf

"For Wendy: With many thanks for a super cadenza."

Joan Sutherland – after a performance of the famous "mad scene" from Lucia di Lammermoor.

"Wendy Quinlan is an Australian lady with class... miraculous sounds emanating from her golden flute ...dazzling virtuosity"

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